We don’t ride as much as we used to.

That’s not a good thing, but it’s just the way it’s been for the last few years.

We’ve been focused on adjusting to being back here in the U.S. and other aspects of life.

So, we haven’t been riding as much as we used to.

But, Saturday, Steph was up for a ride.

There are not many who would turn that down, and I am not among them.

If we learned nothing else from our travels, each part of the world, each country, each area, has interesting roads—you just need to go and find them.

Sometimes, those roads even force you to make big decisions about your life, such as whether to take the high road or the low road.

Those roads can lead you to many places, many destinations, many things.

Some small.

Some famous.

Some that can be nothing but an oxymoron

Some wonders of the season

And some wonders of life, such as this restored Rock Island caboose in a back yard in Texas.

How did a perfectly restored, sheltered and lovingly cared for caboose from an obscure railroad that ran through my grandparents’ farm in Iowa ever end up in a back yard in a small town in Texas?

Life is like that sometimes.

It brings you things that are both significant and mysterious.

It’s often a question of balancing the significance and the mystery.

For instance, this is a very unusual railroad station.

The reason it is significant is that the station sits diagonally to the railroad tracks.

Almost every train station in the U.S. is oriented parallel to the tracks, but not this one.

The reason this station is diagonal is because two mainline railroads cross at 90 degrees in front of it.

That is the significance.

It is a true crossroads.

Two mainline tracks meet there.

Both tracks come from and head away to faraway destinations.

Both tracks come from and head away to the four corners of the compass.

There was a 90 degree railroad junction like that in Grinnell, Iowa, where I lived until the age of 10.

My friend, Marty Canfield, and I would venture down there and marvel at the trains, the tracks and the places that were out there, somewhere, far away, along those tracks, at the four corners of the compass.

That is the mystery.

I’ve spent quite a bit of my life out there exploring those places, the places far away, the places at the four corners of the compass.

One thing I learned on that journey is that it’s not so much the road you’re on, it’s your perspective while you’re on it.

* * * * *

* * * * * * * * * * * * * * *

* * * * *

While Texas’ best known wildflower is the Bluebonnet, the wildflowers in the photo are the White Prickly Poppy.

* * * * *

The unusual diagonal railroad station is located in Elgin, Texas.

Elgin, TX is pronounced with a hard “g” as in go.

* * * * *

The two railroads that crossed at Elgin, Texas were the Southern Pacific and the Missouri, Kansas & Texas, better known as the “Katy.”

* * * * *

Grinnell, Iowa was founded by J.B. Grinnell, who was the young man Horace Greeley famously advised to “Go West young man, go West.”

* * * * *

The train station in Grinnell is not diagonal to the tracks at the junction.

* * * * *

The two railroads that crossed in Grinnell were the Minneapolis & St. Louis and the Rock Island.

* * * * *

The Rock Island Railroad was, of course, the most important minor railroad in the history of the world.

Counting the cars on a passing Rock Island freight train on my grandparents’ farm.	Dreaming of my own Rock Island railroad empire.

* * * * *

A PDF version of this post is here: http://www.hackneys.com/travel/docs/2012-04-07-the-crossroads-and-the-compass.pdf

]]> http://hackneys.com/blog/2012/04/09/the-crossroads-and-the-compass/feed/ 8 http://hackneys.com/blog/2012/03/05/this-years-annual-sxswi-survival-guide/ http://hackneys.com/blog/2012/03/05/this-years-annual-sxswi-survival-guide/#comments Mon, 05 Mar 2012 16:00:25 +0000 Douglas Hackney http://hackneys.com/blog/?p=1051 It’s that time again.

For all the SXSW rookies or those who can’t clearly remember what they experienced at last year’s Geek Bacchanalia, here’s this year’s guide to SXSW Interactive survival and success:

• When you’re here, always call it “south by.” If people don’t know what you’re talking about, they are not people you want to talk to anyway.
• SXSW started as a music festival. It’s still a festival. It is *NOT* a tech or business conference. Approach it like ‘Spring Break for Geeks’ and you’ll have the right mindset.
• SXSW is about relationships, old and new, and soaking up the scene.
• All the action @ the convention center is in the hallways.
• Don’t book yourself back-to-back-to-back in sessions. Instead, hit a few that are super-relevant to what you do, attend at least one keynote so you can say you went to one, but spend the majority of your time meeting people and interacting with them.
• For a session you for-sure want to attend, be outside the door at least one hour before that session starts. Don’t worry about the wait. Some of the best connections and conversations you’ll have will be in line waiting for a session.
• Most of the real innovative thought and “what’s next” will happen in the tiny meeting rooms in the hotels five blocks from the convention center (the show is about 3x larger than Austin can accommodate, so sessions are in hotels all over town)
• Stay flexible and be ready to change your plans instantly. Serendipity rewards flexibility and spontaneity at SX (no, that’s not a typo, that’s your chance to practice saying “south by”).
• Be ready for 18 hours of continuous, heavy phone use. Bring extra batteries or an external, rechargeable power source.
• Don’t get too hyped up about anybody you meet or connect with. Almost *nobody* follows-up after SXSW. If you want to sustain a relationship or connection, it will be on you to do it.
• Try to spend at least 15 to 30 minutes a day watching the scene and immersing yourself in the energy at different locations:

• Charging station @ the convention center
• Hilton main lobby
• Hilton 4^th floor lobby (startup accelerator)
• Vendor/brand reception/party (too many to begin to comprehend until you witness it for yourself)
• Local club/bar (best scene is not 6^th street, seek out the other areas of downtown for more interesting interactions)

And, very important:

• Pace yourself. Drink a lot of fluids. Load up on “Airborne” every morning to ward off the exotic mix of worldwide germs. There is no shortage of parties, receptions and general festivity. It’s a long show. Save some energy for the last days.
• Bring lots of business cards. For all its techiness, it’s still a physical business card show.

[edit: added need for 18 hours of phone power]

[great additional points in the comments on this post]

This is a wonderful year’s diary of a girl’s 2011 in LA, a few seconds at a time.

I think it speaks strongly to the power of visual imagery to spark memory and emotion.

2011 from hey_rabbit on Vimeo.

I once had a career producing media. When I began, I did some work that was for public consumption such as television commercials and print advertising. Later, once I moved to Chicago, almost everything I did was corporate communications.

In addition to film and video, I did a lot of live events. Live corporate events in that era included everything from showing some slides at a board of directors meeting to an arena event for thousands of chanting, stomping sales reps. At the large events we’d often execute Broadway scale musical numbers, complete with orchestra, chorus lines and lyrics written to include the company’s products and people.

Unlike Broadway, where the cast and crew have dozens of performances to work out the kinks before opening night, we’d have, at best, one full dress rehearsal. And, unlike Broadway, if anything went wrong in our performances it often meant instant career death for the unlucky corporate person assigned responsibility for that year’s sales meeting.

To mitigate the risk inherent in a live event, one of the regular features of medium to large corporate shows was an appearance, performance or presentation by a well known celebrity, actor, performer or singer.

The upside of this was that I got the chance to meet and interact with a lot of A and B list celebrities of that time. The downside was that many, actually most, of the A and B list celebrities of that time were, to be kind, not their public persona. That reality, that gap between the popular culture version of the celebrities and the reality of the celebrities who I interacted with in order to execute the shows, was a cold slap in the face to a kid raised on television, magazines and newspapers.

Time after time I was confronted with the ugly side of fame. The narcissism, the megalomania, the egos the size of the arenas were so rampant that I soon gave up any hope of ever meeting any popular singer, musician, actor or celebrity who wasn’t a Class A, King Sized jerk.

I began to dread any show that included a marquee name.

I hit bottom when I had the misfortune of working with one of the most recognizable, most celebrated performers in the world, a hero of millions around the globe, who turned out to be one of the worst of the worst in person.

I was, at that point, beyond hope, terminally cynical about all things celebrity.

And then came Harry Morgan.

Harry Morgan was the second actor to play the colonel on the long-running hit television series M*A*S*H. Like just about everyone else with a pulse and a television, I watched M*A*S*H faithfully and knew Mr. Morgan only as Colonel Sherman Tecumseh Potter, M.D., the affable regular-Army, supposed commander of the crazy crew on the television series.

Due to my celebrity track record, when I met Mr. Morgan, I fully expected him to be just as much of a jerk as almost every other star and minor celebrity I’d worked with prior. Instead, Harry Morgan turned out to be just as much of a gentleman, just as affable and every bit as funny as he was playing the role of Col. Potter.

I honestly can’t remember the client or the details of the tour we did together, but I do remember vividly that Mr. Morgan, who only played a doctor on TV, cured me of the disease of preconceived notions.

I subsequently had the very good fortune of working and touring with celebrities and stars who turned out to be both personable, genuinely good people and a lot of fun to hang out with backstage.

Thanks Harry. May you rest in peace.

Harry Morgan 1915 – 2011

We often get asked what it’s like to live here, especially about the weather. We usually offer up a shorthand version such as, “Austin has real weather and three seasons. The summers are hot. It’s basically the flip side of living in Minneapolis, where during the winter you run from heated car to heated building. During the summer in Austin you run from air conditioned car to air conditioned building. The difference is that in Minneapolis during the winter if your car dies, you die too, whereas in Austin in the summer, if your car dies, you just melt.”

Our general advice is to visit anytime between Halloween and Memorial Day.

The local paper here in Austin today posted a summary of the 2011 weather year. This will give you the statistical picture of what the weather is like here.

Note that last year was exceptionally hot, with many records established, not the least of which was 90 days over 100 F (37.8 C). We also tied the all-time record high temperature of 112 F (44.4 C) and remain in a record drought.

(click on image for full size)

The question is: If you start with a laptop that has Windows Vista, that is, Windows Vista that has never, ever been updated since the day it was brand-spankin’ new, how many updates does it take to get it current?

The moral of the story is: There is no free lunch. I spent the 2011 Christmas Holiday enjoying great food. In exchange, I fixed Shaun’s laptop. Fair trade.

Some things about the Christmas holiday are traditional, and are essential to the entire holiday experience.

(click on photos for full size image)

For instance, it just wouldn’t be Christmas without Ralphie.

Others things are unique to that year’s holiday, and make it a memorable, unique occurrence.

Such was our fate this year.

One of the kids, Shaun, is a chef. We had the great good fortune to have Shaun with us this Christmas. In addition to just sharing the time, which we always enjoy with Shaun, we also benefited from the fact that he can’t avoid the compulsion to cook amazing food for more than about two hours.

Some of the food was, indeed, traditional, such as the Sour Soup that is a holiday-must in Shaun’s dad’s family, who hail from the former Czechoslovakia.

Mushrooms in:

Finished product – trust me on this one, it’s amazing:

Other foods were less traditional, but even more amazing. About every two to three hours another delicious creation would appear from the kitchen. I can’t begin to remember what was in each of them, so I won’t attempt to list the ingredients.

In rough order of appearance:

Steph and Shaun’s Bloody Mary fixin’s. Tito’s is a local Austin Vodka that they tell me is excellent. Those are Steph’s homemade blue-cheese stuffed olives in the foreground.

Steph’s “meal in a glass” Bloody Mary

Lamb chops with a chimichurri-type marinade (it actually uses anchovies and a bunch of other ingredients, but Shaun describes it as “chimichurri” because otherwise people are scared to try it; that’s a shame because it’s amazing).

This marinated for 24 hours.

As the saying goes, “You either like bacon or you’re wrong.” The only thing I specifically commissioned all weekend was a bacon sandwich that Steph made for me. It was as good as it sounds. The bacon was also used in a variety of dishes and garnishes.

Christmas Eve dinner, which we usually make a snacky-grazing type affair. Note the white asparagus, which was a reflection of Steph’s (and Shaun and my) German heritage, where it is a favorite.

Christmas morning. This is the beginnings of Shirred (or Sheared) Eggs. Shaun credits this variation to a base recipe from Chef Emeril Lagasse.

You start by baking the Italian ham over some ramekins to cook off some of the fat.

Then you line the ramekin with the ham and fill it with a mixture of eggs and other goodies, top it with some secret chef concoction and bake.

The result is this. What a way to start the day.

Meanwhile, Shaun was prepping the crab cake appetizers for dinner. That’s a bowl of crab meat in the foreground. The crab cakes were actually Latkes (a type of potato pancake) with crab and other ingredients (secret chef stuff).

Crab cake / Latke prepped and ready for cooking.

Shaun made me a preview in the afternoon so I could try one. The sauce on top is a mixture of secret chef stuff – just call it “perfect accompaniment.”

One of the secret ingredients of the holiday was this:

It’s a Finger Lime. They are originally from Australia. They are rare here on the commercial market and correspondingly expensive.

Through a fulfillment error, this package was not delivered to one of the top Japanese restaurants in town and Shaun was able to procure it. He told us that there were only two places in Austin this weekend enjoying Finger Limes: One of the most expensive Japanese restaurants and the Hackneys.

They have a wonderful, delicate taste and the texture is like lime caviar. Highly recommended if you ever see them at the market. Be prepared for sticker shock.

$25 worth of Finger Limes:

Another theme ingredient for the weekend was mint. In addition to the Finger Limes, Shaun brought two pounds (about one kilo) of beautiful fresh mint. It was used in a wide variety of drinks and dishes throughout the holiday.

Broiled “finger squeeze” onions in an orange and other stuff sauce. No, I don’t know the details and no, I can’t recall everything that is in this or exactly how he made them. I just show up, eat, and smile a lot.

Christmas Dinner.

Shaun plating the Crab Latkes.

It is a rare treat to know someone who is passionate about their career and who matches that passion with creativity, skills and perseverance. It’s really cool when that someone is one of the kids.

Brussel Sprouts with bacon, carrot & balsamic & secret chef stuff puree and lamb.

Yes, it did taste as good as it looks.

Shaun after two days of non-stop creation of culinary delights. I guarantee you he’s dreaming about new ways to create new dishes from new combinations of flavors, textures and ingredients.

So, bottom line: If one of your kids expresses an interest in becoming a chef, be brutally realistic about the incredibly difficult road that career entails; but, if they make it, be prepared to enjoy some amazing fruits of their labors.

Pictures help a lot.

Along those lines, this is the best illustration I’ve seen yet on what the U.S. debt looks like, in visual terms that anyone can understand: http://usdebt.kleptocracy.us/

Note: I don’t know anything about that web site, other than this illustration, so I can’t testify if it’s a bunch of fruitcakes or not. All I know is that they know how to successfully illustrate very large numbers in an effective form.

For the best rendition of the illustrations, go directly to their site here: http://usdebt.kleptocracy.us/

Here’s a re-creation of their page. It is important to click on the images for the full size versions.

One Hundred Dollars $100

- Most counterfeited money denomination in the world.
Keeps the world moving.

Ten Thousand Dollars $10,000

- Enough for a great vacation or to buy a used car.
Approximately one year of work for the average human on earth.

One Million Dollars $1,000,000

- Not as big of a pile as you thought, huh?
Still this is 92 years of work for the average human on earth.

One Hundred Million Dollars $100,000,000

- Plenty to go around for everyone.
Fits nicely on an ISO / Military standard sized pallet.

One Billion Dollars $1,000,000,000

- You will need some help when robbing the bank.
Now we are getting serious!

One Trillion Dollars $1,000,000,000,000
When the U.S government speaks about a 1.7 trillion deficit – this is the volumes of cash the U.S. Government borrowed in 2010 to run itself.

Keep in mind it is double stacked pallets of $100 million dollars each, full of $100 dollar bills. You are going to need a lot of trucks to freight this around.

If you spent $1 million a day since Jesus was born, you would have not spent $1 trillion by now…but ~$700 billion- same amount the banks got during bailout.

One Trillion Dollars Comparison of $1,000,000,000,000 dollars to a standard sized American Football field and European Football field.

Say hello to the Boeing 747-400 transcontinental airliner that’s hiding on the right. This was until recently the biggest passenger plane in the world.

15 Trillion Dollars $15,000,000,000,000

- Unless the U.S. government fixes the budget, US national debt (credit card bill) will topple 15 trillion by Christmas 2011.

Statue of Liberty seems rather worried as United States national debt passes 20% of the entire world’s combined GDP (Gross Domestic Product).

In 2011 the National Debt will exceed 100% of GDP, and venture into the 100%+ debt-to-GDP ratio that the European PIIGS have (bankrupting nations).

114.5 Trillion Dollars $114,500,000,000,000

- US unfunded liabilities
To the right you can see the pillar of cold hard $100 bills that dwarfs the
WTC & Empire State Building – both at one point world’s tallest buildings.

If you look carefully you can see the Statue of Liberty.

The 114.5 Trillion dollar super-skyscraper is the amount of money the U.S. Government
knows it does not have to fully fund the Medicare, Medicare Prescription Drug Program,
Social Security, Military and civil servant pensions. It is the money USA knows it will not
have to pay all its bills.

If you live in USA this is also your personal credit card bill; you are responsible along with
everyone else to pay this back. The citizens of USA created the U.S. Government to serve
them, this is what the U.S. Government has done while serving The People.

The unfunded liability is calculated on current tax and funding inputs, and future demographic
shifts in US Population.

Note: On the above 114.5T image the size of the base of the money pile is half a trillion, not 1T as on 15T image.
The height is double. This was done to reflect the base of Empire State and WTC more closely.

Everyone needs to see this.

Source: Federal Reserve & www.USdebtclock.org – visit it to see the debt in real time and get a better grasp of this amazing number.

My rating: 4 of 5 stars

In the future, when someone uses the phrase, “monumental effort,” I will think of this book.

Mr. Wilkinson has not only attempted, but delivered, a summary history of the Egyptian civilization, from conception to Cleopatra.

Aside from the scope of the work, coupled with actually having achieved it, the most remarkable thing about this book is that Mr. Wilkinson was able to craft such an accessible work.

Even when faced with source material that was both sparse, thousands of years old and almost exclusively the output of dictatorial propaganda departments, Mr. Wilkinson created a narrative that is both engaging and enlightening for the everyday, non-academic reader.

To give some perspective to the scale of the timeline involved, Thutmose IV, who reigned from 1399 BC to 1389 BC, excavated and restored the Great Sphinx of Giza, built by a previous Pharaoh, which was by then buried in shifting sands and already more than 1,000 years old. In today’s world of countries that are mostly less than 300 years old, it is challenging to imagine unearthing a national monument 1,000 years old in a nation that would survive 1,000 years more.

Thutmose IV is but one of 168 Pharaohs who are individually addressed in the book, along with relevant geopolitical and regional context for their times. Somehow, Mr. Wilkinson has derived, extracted and discovered anecdotes that illuminate the life and times of many of these pharaohs, from the famous, such as Tutankhamun and Cleopatra, to the obscure, such as Neferefra and Sobekemsaf II.

While pedants may long for more detail and champions of a particular period, Kingdom or Pharaoh may wish for a more sympathetic endorsement, the overall tone of the book is even and mostly suitably detached, all while avoiding academic sterility. The flaw in this regard is the author’s persistent hectoring of the ancient Egyptians for not being a replica of modern Sweden, along with its leading U.N. Gini index. Despite his sterling credentials, Mr. Wilkinson loses perspective and thus credible assessment of the realities of ancient societies when he repeatedly calls the ancient Egyptian theocratic dictatorships to task for not being more of a socialist paradise. It is hard to imagine how such a goal could have been either achieved or sustained in an era of almost universal illiteracy, cultural isolation and xenophobia. However, in the scope of a work of this magnitude, this is a minor quibble.

It is daunting to even consider addressing, in a meaningful way, a time span of 3,000 years. Mr. Wilkinson has done so, and in a very readable and entertaining fashion.

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My rating: 3 of 5 stars

A good compilation of Mr. Yon’s blog posts plus some original material from the relevant period of his war reporting in Iraq. The story is worthy, but the book is fatally flawed by a lack of professional editing. Mr. Yon’s war reporting deserves 10 stars, but the book, as a book, does not.

Michael Yon is unsurpassed in current-generation, in person, ground-truth war reporting. His honest perspectives on the day-to-day lives of the soldiers, sailors, marines and airmen (and women) are comparable only to the previous generations’ Ernie Pyle and Joe Galloway.

Mr. Yon has done his best to leverage the modern day’s blog and social media channels to get his message out, and is perhaps the world’s best known example of an independent, consumer supported, front line reporter. He is independent, works for no news agency, and is entirely economically supported via donations and book sales.

If you haven’t read his blog or his Facebook stream, they are worth the time. They are probably the only unfiltered information you will ever see about the Iraq and Afghanistan wars. By unfiltered I do not mean entirely objective. Mr. Yon has a point of view and he is very honest about reflecting that point of view in his messages. That honesty is what makes his reporting real, believable and, ultimately, valuable.

He has not been immune to being used by the media, the military, the politicians and others seeking to leverage gain. Even so, the net-net of what you gain from his raw dispatches from the field more than offset the spin-machine manifestations of his material.

* Blog: http://www.michaelyon-online.com/
(You will struggle to find a way to read his blog posts/reports from beginning to end. The blog site is not reflective of current-era content management system (CMS) capability so it’s nearly impossible to read things in a chronological order. Again, Mr. Yon’s work deserves better.)

* Facebook: https://www.facebook.com/MichaelYonFanPa…
* Twitter: http://twitter.com/#!/Michael_Yon

All of this adds up to an extraordinary person who has made amazing sacrifices to bring back stories and photos from wars and trouble spots all over the world, but especially Iraq and Afghanistan.

We are all in his debt for his efforts.

Having said all of that, Mr. Yon desperately needs a professional editor. His books are primarily compilations of his blog posts and are mostly direct copy and paste efforts. Consequently, they suffer from misspellings, grammar errors, reptition/duplication and other things you expect in a blog post pounded out while under fire at the front lines but don’t expect to find in a professional level book. Mr. Yon’s writing and photography deserve better.

As a writer, Mr. Yon shows continuing development since his early days, and has found his voice.

As a photographer, Mr. Yon demonstrates the power and capability of modern camera equipment. By that I mean that he has been able to bring back good, solid imagery, even from his initial efforts. He continues to improve as a shooter and his hard work and dedication in learning this new medium are obvious in the improvement he has shown over the years.

Summary:
* As a war reporter: Among the best – ever – from any era.
* As a writer: Good, with a mature and capable voice. Very much needs a professional editor for his books.
* As a photographer: Still a work in progress. The camera is not yet a fully formed tool in Mr. Yon’s hands, a tool that he can use as a medium of expression as he can his writing. He’s been moving through the stages of learning what all the controls are for, but even then his camera gear has been capable of bringing back amazing imagery. He’s at the point where he can capture a shot. As a shooter, that is different from creating a photograph as a means of expression. I believe he will continue to evolve and grow and will eventually develop an eye as a shooter, as he has developed a voice as a writer. Endless kudos to Mr. Yon for taking the gear into battle and capturing the shots.

Again, we are all in his debt for his efforts.

Regardless of how you feel about any of the conflicts, countries, regions or religions Mr. Yon covers, you will be hard pressed to find a more open and direct channel into what is actually happening there. Other information sources bring you the remains of multiple layers of filter, skew and spin. Mr. Yon brings you the ground truth.

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